In early 20th century Cambodia, George Groslier established the School of Cambodian Arts, teaching students the crafts of modelling, wood-carving, sculpture, bronze-casting, furniture-making, the art of the goldsmith or silversmith, and (for girls) weaving. In 1936, English author Miss H. W. Ponder published “Cambodian Glory,” including a detailed chapter about this unique school titled “The Tree of Knowledge.” This is the second of a four-part series of articles excerpted from her work.
In 1936, English author Miss H. W. Ponder published Cambodian Glory, including a detailed chapter about George Groslier and the School of Cambodian Arts titled “The Tree of Knowledge.” Excerpts from her article are featured on Devata.org as a four part series detailing Groslier’s work reviving the classic crafts of the Khmer people by founding the School of Cambodian Arts. This is the first article in a four part series.
In a tale that traces royal love, divine wisdom, treachery and betrayal, “Angkor – The Untold Story” depicts the passion of a woman so pure that the temple she helped build nearly a millennium ago still stands as a testament to her passion. In this production by the Apsaras Arts dance troupe of Singapore, Indian apsaras reveal the untold story of Angkor Wat in a spectacular performance that is a breathtaking homage to the art and heritage of Cambodia and India. The November 2013 Indian Festival of Esplanade showcases their presentation as its opening performance.
Cambodian imagination knows no bounds! This new collection of Cambodian folktales in English and French takes readers through imaginative twists and turns to meet simple villagers living deep in the jungle, kings and princesses in fabulous palaces, angels and gods of the Hindu heavens…you’ll even confront (and outwit) fierce pirates hiding in island lairs! Originally collected by French writer G. H. Monod in the early 20th century, Cambodian scholar Solang Uk adds new perspectives and cultural information to this new edition to make these timeless tales even more entertaining. The rare cover painting of Cambodian village life was done by artist George Groslier in 1912.
In 1927, American artist Lucille Douglass wrote the lines below…who would suspect that she would remain at Angkor Wat for all eternity?
“Angkor is one of the really great experiences of my life-a more intellectual than emotional experience — not that it left me cold, quite the contrary — but it was more of an uplift — an inspiration.
“Our stay — longer than most tourists — was all too short — Angkor Wat alone requires years of study — living with understanding — a few days seems but a mockery.
“I have never had a place affect me so peculiarly. . . . I shall go back for a time as long as I can stand it and do further study on the spot.
“You see the ruins are set in the midst of the jungle — which held them in its clutches for so many centuries that it still seems jealous of them.”
“Cambodian royal dances, the admirable artistic tradition and all the indigenous past they represent are seriously threatened due to the very evolution of Cambodia and Western progress.” These prophetic words could have been written at any time, but they were actually penned in 1928 by George Groslier, founder and director of the National Museum in Phnom Penh. See dozens of these rare photos, recently revealed by the National Museum of Cambodia.
French artist Maurice Fievet created extraordinarily accurate paintings of 12th century Angkor with Khmer scholars Bernard Groslier and George Cœdes.
These Banteay Chhmar videos show the intriguing Khmer temple in Cambodia that remains mostly hidden by debris, 800 years after it was built.
In 1924, Khmerophile author and explorer George Groslier took the first automobile trip to Cambodia’s remote Khmer temple Banteay Chhmar.
Like Angkor Wat, the remote Banteay Chhmar temple, is the focus of multiple preservation efforts by UNESCO, Global Heritage Fund, Heritage Watch International and other groups in northwestern Cambodia.